Monday, December 8, 2008

Creative Season for the Artistic South Indian Women


The month of Margazhi, according to the Tamil calender, beginning next week that is on 15 December, heralds another season of unbridled artistry decorating the roads of South India. During this month the South Indian Women become obsessed with the decorative craft Rangoli as it is known in many parts of India. It is known as kolam in Tamilnadu, Muggulu in Andhra P, Rangavalli in Karnataka, Poovidal or pookolam in Kerala, Chowkpurana in Uttar Pradesh, Madana in Rajasthan, Aripana in Bihar and Alpana in Bengal. Though the thresholds of South Indian homes is decorated with kolam every morning during the cold months of December/January it assumes another dimension. Young girls vie with each other to decorate threshold of their house with larger and more intricate designs. It is said that the atmosphere is laden with ozone during the predawn period especially so during the winter months. So to make full use of it our ancestors stipulated that womenfolk should draw kolams before sunrise while menfolk should perform nagarasankeertanam. May be it was a ploy to make people get up early during the cold months of the year. Even today this custom persists in the towns and cities of South India though the latter is not as popular as the former. After all women have always been the keeper of customs and traditions!
Though the process of kolam may seem to be tiring and a waste of time, it does confer some benefits on the follower of this art. For onew thing women are supposed to bend and draw the kolams so it becomes a good exercise which strengthens the uterus and helps the kundalini shakthi. The movements of the hands and body contribute to physical fitness and the act of drawing improves creativity and aesthetic sense. Cowdung used to level the ground acts as a disinfectant and the women get a chance to come out of the house and meet others.
According to Shastras, these kolams are to be used to decorate the front yard, the steps, verandahs, cowshed, Thulasi pot, pooja room, wedding mandap, vessel in which pongal is cooked and at any place where auspicious events are taking place. nKarnataka these designs are used to decorate the dining area and the area in front of the bride and groom is specially decorated.
Kolam is normally drawn with rice flour but and to increase its longevity rice flour paste is used traditionally. Modern times however has led to the usage of white paint, chalk piece and other materials according to the convenience and availability.
There are some dos and donts for this art as for any art. The kolam should be drawn facing east and never facing south. The drawing should be made with the right hand only and it should not be drawn squatting on the ground but by bending at the waist. The dots for the kolam should be placed from bottom up as if climbing a ladder and lines should also be drawn with upward strokes. The motifs should be drawn from right to left and not vice versa.
The designs in front of a house can easily be used to jusdge the homemaker in that house. A carelesslly drawn design indicates the careless attitude of the homemaker; naturalistic designs with birds and animals indicates the love of nature; Stereotype designs as drawn by servants indicates the hurried lifestyle while kolams with well placed dots, straight lines and beautiful motifs indicates that the homemaker is not only artistic, creative and sensitive but also that she is good in mathematics.
Happy drawing season!

No comments: